The Orcs are attacking and we’re all out of ham

The Orcs are attacking again and with Uncle Mortimer’s passing it’s all up to Sam. But he’s new to the job and there’s that big sandwich order for the Chess Club coming up. Can Sam stop the evil Raymond and deliver on his biggest catering contract yet?

B-Space

Preface: This idea is supplied to be used by creatives working in Literature, Gaming and Film (or any other creative that might be inspired by it). This work is NOT to be used in any form of AI generation, whether as a training tool or a prompt, or any other means of AI generation. This is my personal stipulation and can be read as an OPT-OUT from any use by AI.

The theory of multi-dimensional space was well known, but had little proof until b-space was discovered. B-Space is a dimension that seems to push closely on our own dimension (a-space), or rather our dimension pushes onto it because events in our reality seem to change b-space topography.

Most of b-space that has been explored seems to be an inverse to areas in a-space. The current theory is that any building or destruction work in our dimension that happens in areas that are especially close to b-space mirror out into it. However, the relationship isn’t contiguous, space is different there so areas that are on the opposite side of the world here could be next door or even connected in b-space.

It is unknown if there are any dangers in b-space. Certainly some teams have failed to return, but as the majority of explorers have found no other life it’s believed these disappearances are more due to unforeseen environmental issues.

So far xx ‘interface points’ have been discovered, areas where entering b-space is possible. There are 9 in Europe, including 4 in the UK, 12 in the Americas, 14 in Asia and 3 in Africa. Although this is certainly not the extent of them and more are likely to be discovered.

Due to these interface points and the strange way space is connected in b-space there are several known short-cuts between continents, although these are heavily guarded by the affected countries security forces and this has been the main driver for increased funding.

The rise of AI in creative industries

To begin I should probably point out how incredibly biased I am, I am a software developer and a screen/stage writer. Both industries are currently under threat from the various AI solutions. I have also worked on AI development, albeit early in my career.

There has been a recent flurry of activity in the use of AI solutions, most of these are being driven by various University programs – matured through partnership with corporate sponsors.

This information isn’t just a throw-away comment, it helps in understanding why projects like ChatGPTx seem to be all over the internet. It’s being pushed to help raise its importance, acceptance and, eventually, it’s value.

Now, ChatGPT and other similar technologies aren’t bad in their own right. They are interesting examples of expert systems and the various training databases that are being built.

The real problem comes in how they are being sold. The advertising for this technology positions it as an actual Artificial Intelligence, something that can create answers, can solve problems and create art.

None of these things are actually true. In reality, these systems aren’t especially more intelligent than the systems that have come before, the real difference is in the technology and data surrounding them. Better and cheaper storage, faster processors and the vast database that is the internet. These are assets that simply weren’t available to researchers in the past, and it makes a vast difference.

Let’s start with one of the least controversial aspects of current AI systems. There are a bunch of blogs, social media posts and videos showing people interacting with the various AI text bots, asking them questions, asking for opinions and asking for information.

Used this way you can be fooled into believing you’re chatting to an intelligent system. The vast troves of data and improvements in natural language parsing make for an interesting experience. But you only have to go slightly off-piste to see the cracks start to appear. Start making subtly non-sensical requests and it will get very confused. In situations where human intelligence and experience would allow some kind of response, even if that response was ‘what are you talking about?’ the software doesn’t have anything, it’s database of human communication doesn’t have a relevant base for it to work from.

Possibly more dangerously, it has no way of tempering the information it has, the internet is a fascinating place, but more than a little of its information is incorrect, not always accidentally.

And this all leads to the main point of this blog, the current crop of ‘AI’ software can’t create anything.

People will argue about that, they’ll show the various AI-generated images, the scripts generated and the music composed. But none of that was created, it was generated using work pulled from the internet. Art from various artists, scripts from scriptwriters, and music from composers all mashed together using a formula to make the appearance of something new.

You may not think this is a problem, you might point to parody songs or covers. You might talk about how TV and Film are already derivative and how art is in the eye of the beholder. But all of these arguments rely on one important fact, Musicians, Writers and Artists exist and are creating new works.

This sounds like an overreaction, but this is a very real problem. Let’s concentrate on the part of the industry that I know best, writing. Being a TV/Film writer is already a hard job. The pay isn’t great and it’s really hard to break into the industry. As I write this the Writers Guild of America is striking, they are doing so because the situation is getting so bad that many writers can no longer write as their only job. At that point, writing can no longer be considered a career.

More importantly, the idea of using AI to replace writers has been raised by the studios, some even going so far as to produce scripts for shows based on an AI scraping scripts from previous episodes.

Hopefully, the issue here is obvious. If an AI, which can’t create new ideas, is writing a script based on previous episodes then you’re just going to get episodes that are rejigs or past episodes.

Again, many will argue this is already the case for much of the industry, but that is the fault of the studios, I can guarantee that every commissioned writer has something new they want to sell, but studios want to stay to a pattern, new programs scare them.

Now imagine the situation we have now, but one where there is NO chance of something new being created, because it’s all being made by AIs scraping existing scripts. That’s a very real possibility and absolutely one you should be concerned about.

AI, as it currently stands, is a threat to every creative industry and more needs to be done to control it. We’re already seeing spam being generated – allowing scam artists to send out huge amounts of fake comments and emails that look slightly more realistic than previous ones. We’re already seeing people taking credit for art that is made up of other people’s work and we’re already seeing studios using the threat of AI as a way to strong-arm writers to accept terrible conditions.

I saw a post on Mastodon once that stated that the people who were against AI were the same tech-bros who were for NFTs etc. This made me laugh because it’s all the same people. The same people pushing rug-pull blockchain ‘opportunities’ are the people backing these AI tech companies, because it’s all a similar scam.

The Retrospective: Wedding

Because i’m the height of romance and an agile freak I decided to write a retrospective on mine and Erica’s recent project … I mean wedding. I joke, of course, but given i’m an Engineering manager and Erica is a director it was always going to be run like a project and, I think, we benefitted from that way of thinking.

In the true spirit of an Agile retrospective, here’s the do more of, do less of and keep the same breakdown.

Do more of

Pick your venue carefully, not just based on cost and the actual facilities but also on how well you get on with the people running it.

Frankly, we struck gold here with The Wellington Arms in Hampshire, because it’s a triple threat in this area, it’s cost effective, attractive and the people involved were super helpful and friendly.

Be different.

We decided not to follow many of the conventions weddings normally hold to. Some of these were because of particular difficulties. For instance, we couldn’t have normal flower girls because the venue doesn’t like having things strewn everywhere, so we changed to bubblegun girls with jingly waving wands. I wanted my two closest friends involved so eschewed the best man idea and just had two witnesses. A friend who is gifted at photography offered to handle the photo taking. This meant we got photos that felt more personal, because the photographer knows us.

DIY.

Because of cost reasons we ended up making quite a few things ourselves, one of those I’ll mention in a different card, but we made Pacman Ghost shaped candle holders for the table centrepieces and they turned out great. We also designed all the documents (menu cards, order of service, notices etc) ourselves and used the opportunity to create a sort of wedding brand.

Created our own rings

This wasn’t originally about cost, but it ended up saving us a lot of money. I designed both my own and Erica’s rings. For my ring I just 3D printed and treated it, because my arthritis means I’d probably end up having to cut it off or remove it anyway. For Erica’s I used a 3D printing service to get it made in solid silver. Not only does she have an entirely unique design but it was also vastly cheaper than buying something of the same quality.

Do less of

Don’t skimp on the cost of the cake, or do it entirely yourself

We paid over £200 for our cake, which I felt was quite a lot of cash, of course it’s not. This, unfortunately, showed. The maker didn’t get the design correct and the actual cake didn’t taste any better than something we could have picked up from a supermarket. Fortunately, for us, the event company we used to get a few of the things we couldn’t make (outdoor games for the kids, flower arch etc) also had a baker working with them who, with the help of a friend and the chef at the Wellington Arms, not only fixed the design but seem to have added fruit and stuff to the cake we had on the day to make it better – they also did that for no charge. Needless to say, we also recommend BWH Events.

Don’t assume everyone understands technology like you do

I left some aspects of the technical side of things to people at the venue, and whilst they were amazing in many ways, they didn’t quite manage to get the bubble guns working in time. I should have handled that myself.

Don’t skimp on a videographer

To keep costs down, and because we happen to run a production company, we decided to do the video of the wedding ourselves.  This proved to be a mistake with the eventual video not being as good as it could have been.

It was like trying to direct a film that you were also main camera and one of the main actors for.

On the day, don’t try to be a hero

It’s fine trying to manage this stuff yourself, but you have to remember to let other people help you more. We did and our fantastic friends stepped up, but we should have let them do more.

Keep the same

Small service with later reception

This was something dictated by costs and the decision by the government to hold a coronation the weekend after our wedding. The smaller service was fun because it meant we were able to concentrate more effort on each guest, meaning we were able to spend time with everyone. I miss the fact I didn’t have my siblings there, but I didn’t feel it would be fair to invite any of them when I couldn’t invite all of them.

The later reception (a week later in fact) makes it feel like our wedding is on-going and culimating a week later with even more people. (at the time of writing this the reception is still yet to happen, but i’m hopeful it’ll go well).

Whilst it worked out well, I did miss having more of my family (and their families) there.

Looking for Retro in traditional auctions

Whilst eBay is a popular way to find retro computers and consoles, and by far has more items than any other platform, it’s also home to some of the worst prices in the community. The fact that it’s a well-used platform and people tend to search for prices based on all items rather than items that actually sold means that if just one person sticks something on at a silly price, it doesn’t take long before that price becomes the norm.

Continue reading “Looking for Retro in traditional auctions”

Shorties #1

Early this year I wrote my first short stage play and adapted a short film for the stage.  This last Saturday (19th October 2019) those two short plays were part of an event called Shorties which featured 7 short plays from new and established writers.

Watching my work being performed by actors was a rollercoaster of emotion.  First I absolutely hated it.  It was like every script mistake I made was a hammer blow.

But the production was good, the director and actors did a fantastic job and the audience laughed at the right places and clapped at the end.  I’ve rewatched the performance three times now and come to terms with it, there are still bits i’d change (and will) but i’m pleased as punch with what I did.

The YouTube trend

Film making is undertaking a bit of a revolution at the moment, a bit of an underground secret revolution.  Or not so secret, it’s kind of both depending on who you are.  For many, many years the whole concept of film and tv production was owned by large companies.  It wasn’t always the production company that was huge, but to get anything made and distributed you had to place your work in the hands of tv executives or one of the film giants.

There have always been independent film makers, of course.  But outside of recognition in one of the bigger festivals it was rare to make money from them, unless you signed a deal with one of the giants.  Indeed many of the independents used festivals as a way to catch the eye of the larger companies, their independent films were little more than a stepping stone to another world.

The rise of digital release hasn’t just tipped the scales, it’s pretty much destroyed them.  Whilst most of the things you see at the cinema or on a terrestrial or cable network are going to be from a giant media corporation, a lot of people are making a lot of money from going it alone.

This has produced a strange world where making and releasing an independent project is no longer part of a chain, it can now be the final step.  You can stick your work straight on YouTube and, if it’s successful enough, make enough money to at least finance the next project.  Better than that the world of Netflix and Amazon Video are now within reach, where you can have your project on platforms that are largely being considered the direct replacement for the TV channels of old.  The money isn’t bad either and it’s quite possible to make an exceptionally good living if you can produce content.

That’s the one caveat if you go the Netflix route, they aren’t a traditional channel and don’t have any production facilities.  If you want to sell them something you have to deliver a ready to go package.  Hard enough if it’s the epic independent film you’ve been dying to make, harder still if you’re trying to craft an episodic series.  Making one as a pilot was always costly and difficult, but creating an entire series, ready to go, and meeting the production quality that will get you the recognition and allow you a real seat at the bargaining table is a tricky task.

I co-founded a little reviewing channel on YouTube called Film Flickers movie review show.  It’s tiny, it doesn’t even appear on the YouTube radar really but the sheer thrill of seeing in the stats that people are watching what you’ve produced is amazing.  At the point that i’m writing this over 2,000 people have looked at content i’ve made.  That’s a tiny amount, even compared to the modest success stories that YouTube has produced, but it’s an incredible thing to behold when you just want to put content out there.

My next project is a sketch show called Dr Munkins Island of the Man Eating Cheese.  It’s slightly off the wall comedy, moving to downright insane in some of the sketches.  I’m putting a team together and i’ll be putting it on YouTube again.  Am I expecting it to make me a millionaire?  No, but I am expecting it to produce the currency that appears to make the larger percentage of YouTubers keep coming back with more content, views.  Every time someone looks at your work, even if they’re a member of your family or a friend, it’s someone who took the time to sit there and watch a video you made.  And it’s addictive, until I took a hold of myself I was looking at the stats everyday.  Seeing the view numbers slowly creep up was an incredible thing.  We released a review of the first series of Jessica Jones and it got over 200 views, again that’s chicken feed compared to a lot of YouTubers, but it was amazing for me.

And this is the point, despite YouTubes adverts which concentrate of the YouTubers that have made a career from this, they have millions of subscribers and make enough from advertising to actually make it their day job.  The vast majority of YouTubers are just getting a few hundred views, but they still come back.  And it’s because it’s worth it.  If you can get through the first dislike and the first horrible comment then you can keep making content and people will keep coming back.

And this is the revolution, and it’s a subtle one.  We now watch more YouTube videos that we watch Television.  For a lot of people YouTube has become the first step when they want to be entertained.  And there will always be new content, because YouTube has made it possible for everyone to be a production house.  If you can afford some kind of camera you can make a video and upload it onto YouTube and someone WILL watch it.

YouTube have now started to roll out their Red service.  This service allows users to subscribe for a small fee.  Doing that will give them access to exclusive content and less adverts.  This is a big step for YouTube on the road to becoming a viable replacement for the Television networks.  The future of Film and Television production has never been so fluid, and the traditional players have no answer to the new sources of video yet.

 

My idea for a Fallout 4 DLC module

So everyone has had their two pence worth of ideas about Fallout 4 DLC, so I figured i’d stick my oar in the already over-trodden ground.

Being as i’m from the UK, obviously i’m looking at DLC over here.  Areas outside the US aren’t really catered for in the main Fallout story, except for Canada and a few references of China.  So I think this would be an interesting addition to the game lore.

Picture this …

Scientists from CIT and London were collaborating right up until the bombs dropped, in a hidden vault in CIT the protagonist discovers a matter transporter.  Not knowing what the device is the player is accidentally transported to a room inside a military research base in the UK.

However, this is a very changed London.  Uncertainty from the loss of it’s main ally and the lingering fear of further attacks and the environmental changes that have touched even this far across the world have cause a massive political shift.  Now this world is very much like the Big Brother culture of 1984, and the military base is now the HQ of the enforcement arm of the government.  Making their way from where they appeared the protagonist seeks to reactivate the transporter on the UK side so they can return, but in venturing out from these forgotten basements to restore power they are captured.

After being taken to a cell, questioned, tortured and stripped of all their belonging, the protagonist is snatched by some members of an underground resistance cell.  The cell will help the player return to Boston, but only if they help them in their quest to restore London to freedom.

 

Just my little idea to extend an already incredible game world.